I didn't toss any of my Dead C CDs when I got the vinyl upgrades so we're gonna have a lot of overlap. Eusa is the one I could definitely let go of since there's nothing unique about the CD, except that it's smaller and sounds worse. I guess it's easier to loan to people, always trying to make a convert. This is actually the perfect hungover Sunday afternoon thing to listen to right now, as 'Now I Fall' is simultaneously drilling into my headache and also teaching me a lesson - the pain that feels so good, so good. Tom Lax's liner notes are pretty fun, as they compare this era of Dead C to early Pere Ubu (I'll buy that comparison) and then says that Eusa, while the 'pop' album, doesn't compare to the live one. By which I guess he means Clyma est mort which we'll get to, also twice, but both times on vinyl! Yeah, I should probably filter out all of this clutter - can you imagine the Underbite lair, a dark, cavernous pile of multiple copies of Dead C albums? But the music, redux. How many times can one band milk the same riff? (Referring to the appearance of 'Max Harris' in the background of 'I was Here'). It's those middle tracks that really draw out the best in me - 'Phantom Power' can lead to decades of investigation, while 'Children' and 'Scarey Nest' are just songs I play when I'm DJing. But awesome songs. The songs really are the key here, the core, the root, and the ether. I wanted to be a child of some revolution, which I never found, but this was close enough.
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