So, guys, what have you been up to since leaving Siltbreeze? It seems quite a lot, and this felt like it was coming out of nowhere in 2000, though it's already twelve years old (time passing is scary!). This is the most experimental turn the Dead C have ever taken, completely forsaking the human voice in favour of ring modulator galore. This is entirely free improv, or at least it seems that way, and a fuck of a lot of it (disc 1 is 62 minutes and disc 2 is 68). In the first hour+, we start with a
Tusk-like intro, 'Accelerate', though really this disc is gonna slow us down down down, as track two, 'Dec' indicates. The freedom is everywhere, and it masterfully builds on the decade and a half of rapport built up between the three of them. 'Pussyfooting' bring in a wonderfully ringing guitar, being played I guess with a mallet or some other percussive technique. The sound of the chords - the true spirit of rock and roll, right? - is warm and reverberating when it finally crashes in. It's a long journey through 'Speederbot', 33 minutes, and disc 2 is a welcome change of pace. It takes absolutely ages to listen to this and its hard to pay attention, but that's not necessarily a bad thing. Though this isn't ambient music - nor is it deep-listening music - it works in some strange hybrid between-ground. There's slightly spazzy, falling apart chaotic rock dotting disc 2 ('Realisation con Slider' and 'Tuba is Funny (slight return)', a redux of the
Tusk hit, I guess). 'One Night' comes midway through it all as a shockingly up-close alien aesthetic, a true gem that cheats from the ringing room sound of the rest of this disc (and their career in general). 'Fake Electronics' is another highlight, a placid, beautiful glow that fades into the distance, almost causing me to nod off until 'Tuba' jolts me awake. Listening to these discs takes all day and my mind drifts as much as the ringmod, but by the time I got to the other side I was glad for the journey. Even if I miss the 'classic' Dead C a bit, there's plenty to celebrate here.
